Beneath the entertaining veneer, Sekhar Kammula addresses pertinent concerns with sensitivity and attracts winsome performances from Naga Chaitanya and Sai Pallavi
How does one particular determine honour? Does it lie in adhering to caste norms, or does it lie in making a harmless ecosystem and instilling assurance in a child to converse up when points go awry? Director Sekhar Kammula employs the platform of a mainstream entertainer to make family members audiences introspect.
Enjoy Story has all the trappings of a Kammula movie. The audio (debut composer Pawan Ch) can sweep us off our feet, the powerful-willed main lady dances like a dream and the hero is a thorough gentleman. Romance blossoms on the terraces of middle-class households in Padmarao Nagar, Secunderabad. As the movie unfolds in modest options, without having greater-than-existence frills, it shows how absorbing a movie can be when there’s a good script.
In Armoor, Telangana, Revanth (Naga Chaitanya) grows up listening to his mom (Easwari Rao) reiterate the significance of earning and residing with dignity. She tells him that it is improved to be in a place wherever you can give monetary assistance than acquiring to get it. Revanth’s is a achievement story he operates a tiny Zumba centre in the huge city. There are troubles, but he is in a placement exactly where he can employ somebody.
- Forged: Naga Chaitanya, Sai Pallavi, Easwari Rao, Rajeev Kanakala
- Way: Sekhar Kammula
- Songs: Pawan Ch
Sekhar contrasts this with Mounica (Sai Pallavi), an higher-caste female who comes in the city with dreams in her eyes. Her relatives owns acres of land, but she has to struggle for her legal rights — economic and if not. She realises that her very low score in engineering will not get her a fats paycheck. Extensive right after Joyful Days (2007), in which Kammula focussed on engineering campuses, he displays us the other side — of an engineer embracing her innate aptitude for dance to get in advance in everyday living, alternatively than pushing keys on a laptop or computer from dawn to dusk. Mounica finds her wings to fly but lives in regular fear of her household disapproving of her work. She phrases it ‘narakam’ (hell) and you can empathise with her plight.
In the metropolis, there are no ‘us’ and ‘them’ caste discrepancies, at least on a floor level. Revanth and Mouncia can consider Zumba and dance lessons jointly and generate a dwelling. Having said that, the cracks in culture are laid bare by way of the tale of a different pair.
Back in Armoor, there are telling scenes where Revanth and his mother continue on to be appeared down on by an upper-caste home. His work is mocked and someone does not consider 2 times prior to offering him second-hand shirts.
Mounica and Revanth’s respective baggage from the earlier run as an undercurrent to the romance. He is fatigued of caste disparities. She way too is battling a little something elaborate and has to come across the bravery to voice it. She finds solace in the metropolis given that she can breathe free of charge, and doesn’t have to glance around her shoulders for safety. In a cleverly penned scene, she tells Revanth that she will dance on the condition that he always maintains two toes distance. We know that she is not referring to caste something else has left her scarred.
It’s a movie wherever every thing arrives with each other in synergy. Naga Chaitanya and Sai Pallavi internalise their pieces so well that they are in sync with the people they portray. Chaitanya is organic and emotes with all sincerity, triumphing in a vocation-defining function. Sai Pallavi is exceptional, expressing the minute fears of Mounica. Props to Easwari Rao and the enjoyment cameo by Gangavva. Rajeev Kanakala acts like an embodiment of vanity and evil so correctly, that I finished up hating him totally.
A handful of scenes unfold in the vicinity of Purana Pul (laptop graphics?), a reminder of a historical love story Hyderabad is involved with. Revanth and Mounica way too have to cross the bridge amid storms, metaphorically speaking, to be able to commence lifestyle afresh.
Like Story could have been still a different Sairaat, but Sekhar expertly steers it in a distinctive path in the very last act. Romance is one particular of the most typically explored genres in industrial cinema and after a position, one tends to view it with cynicism. But this a single held me invested I watched with bated breath, hoping that Revanth and Mounica cross the hurdles in their route.