‘O Manapenne’ review: A feel-good romance that feels refreshing despite its contrivances

It is just a boy satisfies lady tale. But how they fulfill and how that meeting variations their life makes it coronary heart-warming.

(Disclaimer: I have not viewed Oh Manapenne’s first, Tharun Bhascker’s Countrywide Award-profitable Pelli Choopulu. In a way, that is excellent for the reason that, with remakes, the film-observing generally becomes an workout in comparison.)

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Inspite of its Telugu cinema roots, Kaarthikk Sundar’s debut movie, Oh Manapenne, reminded me of Malayalam cinema. The experience of heat it attempts to evoke by basic, no-frills storytelling we have now arrive to associate with filmmakers in Kerala. There is hardly something that does not provide the purpose of the plot. No pointless action sequences. No impartial comedy tracks. No narration-pausing music. And, there is almost nothing incredible at stake, also: it is just a boy satisfies woman tale. But how they meet up with and how that assembly variations their lives will make it coronary heart-warming.

The film opens with Karthik (Harish Kalyan) and his relatives and friends hurrying to get to a girl’s house for matchmaking. They battle to obtain their way. Meanwhile, at Shruthi’s (Priya Bhavani Shankar) residence, her place doorway has an difficulty with its lock. Karthik, then, at last helps make it to Shruthi’s house. At the doorstep, he sees her and introduces himself as the “payyan” (boy) just before telling her his title. She claims she is the “ponnu” (lady). Just then, her pet pigeon shits on his shirt. So, he has to go to her space to wash it. And, Shruthi’s cousin, a small boy, shuts her doorway by error. The “female” and the “boy” fulfill this way. They transpire to get trapped inside of a space. So, they start off talking without official introductions. Just as they get to know far more about every other, the door opens. Karthik’s father tells him that they are at the erroneous household! Shruthi is not the lady they were meant to meet up with.

Oh Manapenne

  • Director: Kaarthikk Sundar
  • Solid: Harish Kalyan, Priya Bhavani Shankar, Abishek Kumar, Anbuthasan, Ashwin Kumar Lakshmikanthan and others
  • Storyline: A great-for-practically nothing person variations his techniques following assembly an enterprising girl
  • Length: 140 minutes

Even so, at the end of the film, we realise that Shruthi is the female Karthik was supposed to fulfill. All the tiny mishaps on the working day of their conference, including the pigeon shitting on his shirt, were being serendipitous.

These pleased coincidences movement a person after a further. But quickly soon after, the movie starts feeling contrived. Creating appears to be to be the prime suspect. There are oft-too-found Tamil cinema character characteristics. Karthik is making an attempt to crystal clear his arrears in BE, so he does not even know how to spell ‘thermodynamics’ when his dad asks him to. Karthik’s close friend, who is also a wastrel like him, has to behave like an alcoholic. He states a little something together the lines of “Dry working day naale sogam dhaan da. Bloody unprofessional drinkers.” Karthik’s ex-girlfriend is a sponger who forces him to fork out her parlour expenditures. At 1 issue, Karthik phone calls Shruthi’s notion of a food truck enterprise “restaurant on wheels”. The latter, an MBA gold-medallist, is tremendous-impressed he referred to as it that. It is hard not to doubt Shruthi’s copywriting capabilities. The ending was also a minor way too hassle-free and somewhat more than-the-best.

But despite these contrivances, the next fifty percent has a lot of moments that make it likeable. Harish Kalyan seems convincing as a great-for-nothing person who slowly and gradually amends his approaches since of the female he meets. The character reminds a single of Siddharth Mehra (Ranbir Kapoor) from Wake Up Sid.

I, even so, favored Priya Bhavani Shankar’s character and functionality much more. Thinking about female figures in Tamil cinema are largely insignificant and “strong feminine characters” ordinarily keep mouthing traces about ladies empowerment, Shruthi was refreshing. She is enterprising but also serious with her flaws and vulnerabilities. When Karthik tells her he is alright to marry an individual for dowry, she does not lecture him about the evils of dowry as a substitute, she tends to make him realise how he does not respect himself. When her ex-boyfriend who dumped her without having see returns to apologise, she slaps him. “This is not for breaking up. But for not undertaking it thoroughly,” she tells him.She is shortly back on her toes, attempting to start off a business. Nevertheless Karthik mends his strategies for the reason that of her, Shruthi is not just his redemption arc. One particular hopes to see a lot more such women of all ages on display screen.

Oh Manapenne is streaming on Disney+Hotstar

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