That is an unrelentingly gripping and often disturbing movie that dares to visualise (with style and restraint) a few of the vilest actions our species is ready of, and get total consider of the psychic destruction it inflicts on innocent victims. However it may be not a wallow in ache, given that the survivors command of every aspect of the work out and lean on one another for help and inspiration in the middle of.
And even though probably a third of “Procession” is made up of re-creations, and the relief is concerning the artistic, logistical, and psychological prep operate required to get the survivors within the excellent headspace to function their magic, you by no means actually really feel as if the movie is striving to fool you into contemplating that drama is level. It’s clear about what it actually is conducting (extra of a historical past of what occurred throughout a filmmaking workshop than a standard biographical doc) and there may be actually by no means any hazard that the viewers will cut back its bearings. Greene, who additionally edited the movie, incessantly shows the lights and scrims and increase microphones and different signifiers of artificiality or dramatization, and retains cross-cutting involving re-creations of scenes. The survivors direct, execute, or information of their era, the better for instance what’s going down to those males emotionally as they check to make use of artwork to reclaim their worst encounters and have the benefit of the relief of their life.
“Procession” is the top results of Greene’s boundary-blurring traits, which embody “Bisbee ’17,” “Actress,” “Kate Performs Christine,” and the 1 with the title that kinda sums all of it up: the 2011 wrestling documentary “Fake It So Actual.” “Actress,” which adopted “The Wire” actress Brandy Burre as she tried utilizing to re-enter the enterprise simply after briefly leaving it to raise a relations, was full of what Greene known as “composed indie-movie moments” that have been purported to have a “poetic” carry out, buying at an extra and extra elusive actual fact devoid of sophisticated the viewers into considering they ended up taking a look at one thing that spontaneously transpired. “Procession” has far more this kind of occasions and pictures than could be recounted proper right here, some seemingly picked out by Greene and his crew on-the-fly (this type of as Mike contorting and bouncing on a basement rec-room sofa to “Guiding Blue Eyes”) and lots of others devised by the survivors, who attract such quite a few influences because the supernatural horror film, the theatrical psychodrama, and Bob Fosse’s autobiographical musical-fantasia “All That Jazz.” (A re-enactment of the second excellent forward of a violation transpired in a priest’s bed room is filmed on a stylized stage set precisely the place the props, family furnishings, partitions and flooring have been spray-painted heavenly white it is harking back to the purgatorial interview scenes in Fosse’s movement image wherever the hero justifies himself to the Angel of Dying.)
Greene’s approach conjures up a great deal of secondary resonances and notions alongside the way in which, along with the extent to which all identification is produced after which carried out, and the eerie method during which way of life retains serving up symbols and metaphors that we might presumably criticize for remaining far too on-the-nose if we encountered them in fiction (these as Laurine’s fixation on an unintentionally damaged fishing rod provided to him by simply one of many monks who raped him within the lake home). However it’s to Greene’s wonderful credit score that these under no circumstances overwhelm the important thing place of the enterprise, which is to heal and make full 6 males who’ve been betrayed by an establishment that was purported to be an influence for wonderful of their lives. Greene doesn’t deal with them as passive objects to be pitied, however empowers them by way of art work.
In minimal theatrical launch in the present day and premiering on Netflix on November nineteenth.